In a candid conversation, Miranda Otto delves on topics ranging from her newest character as a regal sea creature to the profound lessons learned through theatrical mistakes and fan interactions.
The most recent character portrays the monarch of the cuttlefish in The Pout-Pout Fish; if you could be a fish for a day, which one would you choose and why?
Straight away, the blue groper found at a specific shoreline – because it’s a local landmark, and individuals visit specifically to spot it. I just think it’s cool that there’s a local fish that folks genuinely go and see and discuss – it’s a special fish.
Which movie do you always return to, and why?
The 1942 comedy To Be Or Not To Be. I adore this film. When I was childhood, it used to come on the ABC every now and again, and once I videotaped it. I just thought it was so funny. It stars Carole Lombard and Jack Benny. Recently they were showing it at the Ritz and I discovered that it was the preferred movie of an acquaintance, and so we went and simply chuckled repeatedly. It’s such masterful work of comedy and the entire cast in it are fantastic. Mel Brooks did a remake in the 1980s – that wasn’t as effective. But the original film is a brilliant comedy, to be watched often.
What’s the best lesson you took away from someone a colleague?
Years ago I performed in A Doll’s House with Pete – my husband now, but at the time we were not a couple. We portrayed characters as scene partners and on opening night I tripped up – I skipped forward some dialogue in the script. I was unaware what I’d done but I suddenly realised things were off. I recall looking at him, and he expertly rescued the moment, and then the scene regained momentum and went really, really well. But I think what I learned then was, first, always trust the people in your scene. When you lose where you are, if you turn around and look at the people sharing the stage with, you will find your correct position somehow. It’s such collaborative endeavor, performing live. And next, just to have a lighthearted attitude regarding it. Sometimes when a mistake occurs, things actually spark off in a really great way provided you are really present then. It can be a gift when things go absolutely awry.
Can you describe your most memorable interaction with a fan?
There isn't a single specific meeting but when I meet fans of Lord of the Rings, particularly women, I hear a lot of stories about how that character impacted them when they were younger … things that had happened in their lives and the extent to which that character signified for them and was some kind of help to them during those periods.
Which questions get asked about the most by Lord of the Rings fans?
The most specific inquiry concerns invariably regarding that infamous meal her character prepares for Aragorn. “Was the stew really that bad?” It has evolved into such a joke, the entire episode about the stew, and everyone wants to know the contents of the stew, and its preparation method, and do you think she’s a better cook now, or do you believe she really is a poor chef? Fans seem, in my view, fascinated by the comedy of that scene. And I provide great detail listing the ingredients that constituted the stew – because I remember the efforts made; such as adding pieces of red cotton to make it look like blood vessels in the meat. They went to extreme measures to make it look as bad as possible.
What was your most cringeworthy run-in with a famous person?
I was at a fitness session and another participant lying down doing pilates, and the instructor remarked, “Hello Miranda, this is Miranda.” And I attempted some joke about, “might you be a journalist?” Since Miranda is an uncommon moniker and most of the time when I meet another Miranda, they’re a journalist. I hadn't properly identified her. And as she rose, it was the actress Miranda Richardson. Then I was at a loss for words. I still had to complete my class, and I experienced so embarrassed. I wished to explain: “Goodness, I am aware of your work!” I consider her talent is immense and I was simply too awestruck to utter a syllable.
Articles have confidently claimed that you were named after Prospero’s daughter in Shakespeare’s The Tempest, and yet I’ve read you saying otherwise – can you settle the matter once and for all?
Yes – I was named after a district in Sydney. My mother heard on the radio that they were opening a mall at Miranda, and the name sounded like a pleasant choice.
What was the chaotic thing that’s ever happened on set?
When I was working in Brazil for the film Reaching for the Moon that was the least organized set of my career, and yet the final product emerged brilliantly. But they just work in a distinct manner. The sense of time there is unique. In Australia, you receive a schedule and you have to be on set punctually. But this was rather open ended – you come on set whenever you happen to be ready. It was a really different way of working for me. All aspects were all coming together at the very last minute, and at times the plan was unclear where they were shooting the next day how we were going to do it. And then you’d be in during a scene and wondering, “What caused that sound that disturbed the scene? Ah, it was the producer opening a bottle on set, to start a party.” It turned out great, but wow, it’s a distinct style of film-making.
Do you have a secretly good at?
I’ve always been good with numbers. I memorise numbers easier than I memorise words often, I simply have a numerically-oriented mind. So I think had I not pursued acting, I likely might have entered a field involving numbers, like mathematics or finance.
What’s the best piece of advice you have ever received?
When I was in high school, a speaker came to speak as we were graduating and stated, “have no fear to fail” … which I think is the best piece of advice, since one gains so much more from setbacks than is gained from success. Success, you never really understand exactly how it happened. Failure, you learn so much more.
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